vapapo:voice/ attitude/ posture/ animal/ prop/ obsession
by jill bernard

einstein’s three rules of work
by arden bercovitz, phd, csp

what does it mean to improvise?
by gary schwartz

improvisation as a playwriting tool
by jeffrey sweet

why learn improvisation?
by ken zuckerman

the art of improvisation
by john mclaughlin

the art of improvisation: mastering the musical moment
by james rotondi

why improv classes?
by john frusciante for possible side effects

improvising as a tribal movement
by stephen booth for the improvisor revisionist newsletter

improve your customer relationships with improv!
by craig harrison for transaction world magazine

is improv a path?
by matt mike elwell, comedysportz

improv - the invisible part of the play
by john koprowski

what's talent and how do i get some?
by doug kassel

city confidential - paul bellos
by deanna larson

nashville scene - risk-takers
by martin brady, theatre critic

theatre group takes the stage, off the cuff
by mark beil, freedom press

did i tell you the one about the time i took comedy classes?
by amber north, the tennessean

a thousand laughs
by tim ghianni, the tennessean

supercharge your creativity
by avish parashar

there’s no ‘i’ in team
by avish parashar

supercharge your productivity
by avish parashar

be your own sounding board
by avish parashar

a beautiful (group) mind
by r. kevin doyle

the fundamentals of agreement
by kevin mullaney, upright citizens brigade

improv and awareness
by chris pierce, jackpie

improvise to innovate
by mary crossan, ivey school of business

improv training can improve your trial skills
by amy johnson conner

send in the clowns
by leigh buchanan, inc. magazine

making businesspeople funny
by celene adams, the training report.

spontaneous sermons
by paul bellos, light hearted

improvised scenework
by paul bellos, ideaprov © and friends

the 10 commandments of improv: part 2
by padriac

chivalry and the knights of improv
by tom tollenaere

seven things you think about improv that are wrong
by jeff catanes

greg proops and the joy of being live
by jill bernard

audience worry
by jim karwisch - jackpie

theatre group takes the stage, off the cuff
by mark beil, freedom press

top 10 blindspots among improvisers.
by jimmy carrane & liz allen

deconstruction
by eric hunicutt of the reckoning at improvolympic

how we first met across the world
by jeff catanese

acting techniques for speakers
by ed brodow

commercial work
by joanna parson

an improv life
by katie young

structure and freedom
by gary hirsch

improv entertaining and training - an agent for improvolympic (iO)
phone: 615.423.2171 - email: contact@paulbellos.com